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This precious house—my house!—this room, these walls, this bed, are all familiar, but I’m not. I’m the stranger who makes everyone uncomfortable. Three months in the hospital and a precisely but savagely excised brain have tweaked my personality the way a potion tweaked Jeckyll into Hyde. I’m clothed in the same skin as my healthy former self and fit the same clothes, but I’m no fit for this place, my house, not yet. I eat, I breathe, digest, pass food, none of them without help, none without humiliation. Whatever I used to be proud of, . . . . My wife resembles her photos by the bed except in the eyes, which used to say For better! and which now wonder, Could this get worse? But she’s the same. My children too. They enter the room like scolded pets and finger the bedclothes and stare at the muted TV, not at their dad. They tell me what I want to hear: I’ve turned them into liars. Except for giving in, or giving up, there’s no remedy for outliving an illness. But Melissa didn’t know me as I was. She sees what is. She knows just what to make of clients like me and forgives me. The intimacies she performs are out of reach for those who have always loved me, services that would break their hearts. The genius of Melissa is to make my care appear like washing the dishes. She doesn’t love me, I think, except in that way that good souls think pain is noble and rage is prayer, which is to say, she loves the trouble I’m taking to get back to my self. And with her help, if I survive, I’ll own this house again and be the parent and husband I was.
Cars as far as anyone could see ahead and as far behind. This was to be expected, a tax for driving. Three or four snuck through on green when the signals changed but only to the next stalled stack, never to open road. Although we had all driven here deliberately, nobody wanted to be in this place long enough to look at it. We wanted it behind us. With clear highway ahead we might have felt less vagrant, but stuck on hot black asphalt between a service station and a comically cheerful liquor store at the intersection of who can remember and please don’t remind me, we couldn’t pretend we were headed anywhere. The car to my right was so close I could hear the driver grinding her teeth. The driver to my left was spinning his steering wheel pointlessly back and forth. We sat through two light changes without moving. I had spent a small dog’s lifetime trying to follow a metaphorical map, rushing without looking through years as forsaken as this crossroads. Now, sitting here in a sealed container which, because it wasn’t moving, had become my world, I was gagging on my own spent breath. A driver pulled into the intersection with nowhere to go and shut his engine off. His one car going nowhere by choice amid hundreds of cars going nowhere out of necessity seemed thrilling and defiant. Otherwise people get killed, I thought, when drivers with tempers feel trapped and blame other drivers. I shed my seat belt and pulled myself up through the moon roof. Standing on the seat with my shoulders, head, and chest released from the car, I squinted toward my destination and tried to picture myself happy there, climbed out, left the engine idling, and walked away from it all.
Michael’s face was red. “OK, then, gun to your head,” he demanded, “what’s the best Christmas movie?” Though his tone suggested he might actually have put something to my head, he hadn’t. Well, first, I told him, with a gun to my head I wouldn’t be able to concentrate on movies; second, the category’s too broad: Christmas comedy? Christmas love story? Is Die Hard a Christmas movie for taking place on Christmas? “Completely irrelevant,” he said. “Best is best. But anyway, it’s a trick question. They all suck because they all lie.” I knew better than to take the bait but I told him anyway that all movies lie. “Well, I know actors wear makeup and play make-believe,” he told me, “but they do that to tell a truth; Christmas movies lie to lie.” He put his mug down hard as if he wanted to tenderize the coaster. Glasses clinked down the bar. He’d been pounding me the same way since we sat down, which was common, but his red face was not. He cared about this. I watched his eyes and waited. A string of lights twinkled behind his head. “You think Santa Claus is universal,” he told me,“and that finding out he’s your parents is a primal disillusionment. That’s Hollywood bullshit. Kids have dads who bring out guns on Christmas Eve and put them to their children’s heads one by one,” he said. That can’t be right, I told him. “One by one and pulled the trigger,” he told me, “year in and year out, and made them wonder if one year there’d be bullets. Why have I never seen that in a movie?” I waited until he was finished. Why are you telling me this, Michael? I asked him. What the hell are you telling me?
This work by davidbdale is licensed under a Creative Commons Attribution-Noncommercial-No Derivative Works 3.0 United States License.
Based on a work at davidbdale.wordpress.com.
The Deputy Assistant has died for an analogy. Some will recall four years ago his boss, the Minister of Health and Family Welfare, boldly revived the discredited effort to eradicate polio from the provinces west and south of the capital—bold because several children had been paralyzed by the vaccine given to protect them. Those precious souls with their bent frames were the statistical necessity of a cure for the world, but they were pathetic, and no matter what the Deputy Assistant said, their parents were impossible to answer. For several seasons after that, whole provinces of five-year-olds had closed their mouths against the disreputable sugar cube. An ambivalent man might have been daunted; instead, the Minister wept for an audience at the new sanitation plant, but warned that an excess of love for the stricken few unfortunates would cripple thousands of children. His Deputy was moved as well but understood the numbers better. Only one child would be stricken for every three million successfully dosed. “It is as if,” he told the Minister, and the comment has cost him his life, “to banish the scourge to oblivion, you sacrificed your three sons.” The details of how he fulfilled his accidental prophecy are appalling, and there is evidence he tried to sabotage it, but the clarity of the plan is as strict as a gem. In the capital today, the Deputy Assistant has eaten a phosphine tablet and died. The job is two-thirds done now, new cases are rare, and the Minister’s third son travels with him to the regions of greatest concern, where skepticism of the vaccine might nullify the nation’s triumph over disease. The boy stands straight and tall alongside his brothers in their chairs, and the locals decide for themselves the extent of the Minister’s nerve.
This work by davidbdale is licensed under a Creative Commons Attribution-Noncommercial-No Derivative Works 3.0 United States License.
Based on a work at davidbdale.wordpress.com.
Very Short Novels 
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